---...and silly boogers who gripe about how a film doesn't wholly recapitulate a novel need a length of two-by-four applied briskly about the head and shoulders as a necessary distraction.I'm also one of the folks who read *The Power of One* years before this film was made. Like most novels, it's a pretty big hunk of fiction. One of the reasons why the work of hack SF writer Phillip K. Dick gets made into so many movies (apart from the fact that he's as much the darling of the MLA as he is the object of old-line science fiction fannish contempt) is that he wrote lots of short fiction - novelettes and novellas*** -- and the average movie script really can't encompass more of characterization, detail and plot than is contained in a novelette.If you're a screenwriter or a producer, you can't expect to pack into a two-hour movie every character and plot element of a novel exactly as written. Even the bladder-busting *Lord of the Rings* and *Harry Potter* movies don't do that.Frankly, when I saw *The Power of One* I was disappointed to discover that the guard sergeant who murdered Geel Piet *didn't* die the slow agony of metastatic cancer (as framed in the novel) instead of enjoying the quick and relatively painless off-stage fate of simply getting found hanged by the neck in Geel Piet's cell. Shucks.But I knew enough to live with my disappointment, and that means I can enjoy this movie *AND* the novel, each as an example of good art. If the best revenge is living better than the boob who offends you, let's take it as given that I'm enjoying perfect vengeance on the most oafish of my predecessors on this site.Take that, you clods.--------------*** SFWA defines a novelette as being between 7,500 and 17,499 words -- between short story and novella length -- while the novella is defined as running from 17,500 to 39,999 words. 40,000 words and more is by their definition a novel.